CatSynth video: Synth Studio Tour with Zac the Black Cat

Submitted by James Bragg via our Facebook page.

Quick view around the Fernforest Project Studio. My black cat likes sitting on things that are black and stylish. He thinks he fits in well and looks cool.
Synths in order – Doepfer Modular A-100, Moog Etherwave Theremin, Moog Voyager Old School, Schlagswerg analogue drum machine, CP-251 moog control processor, Dave Smith Mopho and Tetra, Mackie Onyx firewire mixer, PC, M-Audio Oxygen 25, NI Maschine and a Monome my brother built.
The music is called “Dark Glow” by me. you can find the whole track on soundcloud.

CatSynth video: GRP A8, Minimoog, Moog Prodigy & friends

From Synthiefrau on YouTube, via matrixsynth.

“Hi lovely Synthfreaks, here is a new improvisation from me. My new cat ‘Tonto’ listen to my music. I use my Synthesizers.com Sequencer, the Sequencer of the GRP A 8, Moog the leads are from theProdigy, Minimoog, Roland V-Synth, the effects comes from the Dark energie and the Juno 60 (LFO sounds), welcome to the analogue sound universe!”

Fun with Highways: North Carolina

Today our “primary highways” series brings us to the state of North Carolina.

Crossing from Virginia into North Carolina on I-95 (which I most recently did in 2009 under cover of darkness), one gets the sense that “now we are really in the South.” It’s perhaps a combination of the vegetation, terrain, but especially the name “Carolina”.

 

That particular trip involved traveling southward along I-95, and then later returning to the state near the coast on US 17. The contrast between the different corridors was quite apparent. The US 17 corridor, when when it was not exactly on the coast, was surrounded by shorter vegetation in a lighter shade of green. As we got closer to Wilmington and I-140, it was hard to tell whether we were in a quiet coastal region or in an outer suburb with lots of highways but relatively little visible development. From 17/I-140, we turned onto I-40 and headed north. But if I the time for a proper visit, I would have continued up US 17 back towards the Outer Banks.

One can talk a particularly scenic trip through the Outer Banks on North Carolina Highway 12, which stitches together many of the barrier islands via bridges, causeways and ferries with fantastic views. The road goes through the Hatteras National Seashore. It also goes through Kitty Hawk, often credit as the location of the Wright Brothers’ first flight, though it was actually in nearby Kill Devil Hills. One of the most prominent landmarks, in addition to the continuous stretches of beach, is the Hatteras Lighthouse.

The Outer Banks are part of a beautiful and quite fragile environment, and one that is quite prone to being hit by hurricanes and subject to storm surges and flooding. Consider this breach of the islands and the highway that occurred in 2011.


[Photo from NCDOT on flickr.]

If we leave the Outer Banks and head northward and eastward on I-40, we eventually come to the Raleigh, the state capital and one of the main cities of the Research Triangle together with Durham and Chapel Hill. The Research Triangle is home many technology companies (both in the Research Triangle Park and beyond), and is anchored by Duke University, University of North Carolina and North Carolina State University. These schools are also known for their basketball teams. Raleigh is a much larger city and the center of state government, and sports both an inner and outer beltway, I-440 and I-540 respectively, though the latter is only partially built. Durham, to the north and west, looks from images as a grittier city that might attract my interest, especially with the old tobacco-factory buildings that have been converted to mixed use.


[GFDL or CC-BY-SA-3.0-2.5-2.0-1.0], via Wikimedia Commons]

It is also home to a large and vibrant African American community with a long history of successful businesses and a neighborhood once dubbed “The Black Wall Street.” It was also a center for early Civil Rights activity including some of the earliest “sit-ins.” Already in decline by the late 1960s, the neighborhood appears to have been torn apart by the construction of the Durham Freeway (NC 147) through the center of the city. It is a familiar sounding story (like the Cross Bronx Expressway in New York).

From Durham, I-85 and I-40 run concurrently to the city of Greensboro. Greensboro includes one stretch of I-40 which is signed with no fewer than six different highway numbers.

From Greensboro, we take I-85 south and west towards Charlotte, the state’s largest city. Charlotte has become a major banking center, most notably it is home to “way too big to fail” Bank of America. It has prospered and underwent a major construction boom with a large jumble of post-modern skyscrapers.


[By Riction (Own work) [CC-BY-SA-3.0 or GFDL], via Wikimedia Commons]

The Bank of America headquarters in Charlotte is the “tallest building between Philadelphia and Atlanta.” It is the one with the green lights on top in the photograph above. This sculpture, Arnaldo Pomodoro’s Il Grande Disco sits on Bank of America Plaza. It is known locally as “The Disco Wheel.”


[Photo by Antonio Viva on flickr. (CC BY-NC-SA 2.0)]

Bank of America is having its shareholder’s meeting this week, and a large protest is expected tomorrow to coincide with the meeting, presumably converging at this very plaza.

We return to Greensboro and head west on I-40. The development becomes sparser and the landscape more hilly and scenic as we approach the Blue Ridge Mountains. And more treacherous as well. We turn onto I-240 to the town of Asheville.

While I have not yet been to Asheville myself, it sounds a little bit like the resort towns here in northern California, with music, arts, and old-style downtown turned upscale, and new-age types. But for me it is most notable as the home of the late Bob Moog, the great synthesizer pioneer and of our heroes at CatSynth. Asheville continues to be the home of Moog Music, Inc, which makes both hardware synthesizers and one of my favorite musical iPad apps, Animoog. The independent but related Bob Moog Foundation is building a museum and cultural space in Asheville, and they are involved in education outreach and teaching students the science and art of electronic music with programs, with specific efforts in western North Carolina.

We conclude by turning north onto I-26, a relatively new and quite spectacular highway through the mountainous border region between North Carolina and Tennessee. The highway, which opened in its current Interstate form in 2003, winds it’s way through mountain passes, alongside cliffs, and even through a tunnel. This video gives a sense of what it is like, even though it is traveling in the opposite direction, from Tennessee back to North Carolina.

re:BOUND, visual and performance art at Live Worms Gallery

Two weeks ago I participated in a two-day opening with visual artist Yong Han and performance artist Jacqueline Loundsbury Live Worms Gallery in San Francisco. Together, we created an experience combining sculpture and two-dimensional artwork with music and performance art.

The overall show was anchored by Yong Han’s sculptures, paintings and drawings. The sculptures, which range widely in size, use a combination of metal, ceramic, beeswax and other materials. The two dimensional pieces were a combination of ink drawings and paint.


[Image courtesy of Yong Han.]

There are elements that are common in his work across media, including graceful geometric curves and lines with organic shapes and patterns seamlessly integrated. Indeed, some of the two-dimensional works appear to the shadows of his sculptures.

What particularly works for me in these pieces, whether two dimensional or three dimensional, is their simplicity. The lines and curves form repeating patterns and leave empty spaces; and the areas of color are simple and well-deliniated as well. Many of the pieces have a very delicate feel to them, but some of the more recent ones are very densely packed and suggest strength.

The basic structural theme of thin metal and curving lines carried over from the visual art to the performance aspects of the event, providing a level of continuity between the two. The first night featured Jacqueline Loundsbury in an improvised performance piece called re:BOUND where she wrapped her body in steel wire bindings. Large rolls of steel wire were placed around the performance space where she stood and visitors were encouraged to participate by taking pieces of wire and wrapping them around her bare body. Throughout this performance, she was quite exposed and accepted the risks of not knowing what participants might do – something taken to much more dangerous extreme by some of the early performance artists in the 1970s. Indeed, the resulting “wrapping” was less of a cocoon and more an overwhelming array of adornments, such as headgear and other decorative elements, some sexually charged. And the whole amalgamation of wire seemed quite heavy and uncomfortable. But she successfully completed the performance and the resulting embodied artwork fit well with the existing sculptural pieces. After extricating herself from the wire, some of the pieces themselves became independent elements (along with the unused wire) for the presentation on the next day.

The second evening featured my live improvised electronic music in the space with the artwork and a video projection of Loundsbury’s performance from the previous night. For the set, I used several iPad apps including Animoog, Bebot and iMS-20, along with the Dave Smith Evolver and a couple of newly acquired analog synthesizer modules, the Wiard Anti-Oscillator from Malekko Heavy Industry and the E350 Morphing Terrarium from Synthesis Technology. Overall, I intended the sounds to reflect the wire theme that was present in the sculptures, drawings and the performance, with sounds that were metallic, continuously curving, or otherwise reflecting of the other elements. You can see a short clip below of the video projection and the music-gear setup in action.

re: BOUND, with Yong Han, Jacqueline Loundsbury and Amar Chaudhary from CatSynth on Vimeo.

The improved music continued for the whole evening, about four hours in all, with breaks for selections from my CD Aquatic.

A decent number of people came through the show over the duration, a combination of people who knew advance from announcements as well as some who wandered in from the surrounding North Beach neighborhood and enjoyed the experience. I am glad I was able to participate, and look forward to working with both artists again in the future.