
Thea stands proudly atop a vintage Roland Chorus Echo (SRE-555). It is quite a find!
Submitted by our friend Charles Whiley.

2025 is drawing to a close, so it is time for our traditional end-of-year collage and post, a year that was “the best of times, the worst of times.” It was simultaneously one of the darkest and one of the brightest. If I focus on the personal and professional, it was a great year. If we look at the country and the world as a whole, the story is completely different. Our collage focuses entirely on the bright, even as our minds and souls are pulled by both poles simultaneously.
For CatSynth TV, it was another year of strong growth, 50% again in views, and strong growth in subscribers. But it’s not just the raw numbers. I am especially proud that this growth came on my own terms, rather than by “following the crowd” so to speak, maintaining the quality, diversity, and uniqueness of what we do on the channel. We’ve done more interviews with more people, explored more highways, enjoyed the cats’ antics on Caturdays, and of course, reviewed a lot of great synthesizers and music. Indeed, I think of the channel as being more of a TV channel with lots of shows than the single “show” that is typical of YouTube. The blog has found some new energy as well, where we have drawn in more regular viewers to our tried-and-true photos of cats and synthesizers, as well as our long-running Wordless Wednesday series.
We found community at NAMM, at Buchla and Friends, and Knobcon. We traveled not only to New York and Los Angeles, but also to Chicago, San Diego, all through the southern California desert, and to India. And many new friends and new connections along the way. And close to home, the cats are doing great, as are the humans at HQ. I am grateful for the companionship, both human and feline, for family, friends, and community that have sustained me throughout the year.
But one cannot ignore what is happening beyond our bubble. On day one of the new regime (it feels more appropriate to call it that than an “administration”), they chose to cruelly target people like me in one of the first executive orders, and it has cast a dark and stressful pall over all the bright and exciting things that happened. And it was far, far worse for many other people. It was also disheartening to see so many institutions, in media, in business, and even academia, seem to cave so quickly. If there has been a bright spot, it has been the way ordinary people are standing up and resisting, on the streets, in the courts, and in their work, with more strength than I would have expected given those dark days in the early part of the year. And as strange as it seems to say it, the regime’s own incompetence gives me a modicum of hope.
What comes in 2026 remains to be seen. We will hopefully be adding more travel, including to Superbooth this coming year! There are so many videos in the queue as we speak that we are excited to share with all of you. At the same time, I want to find more time to focus on music, both recording and performing. Oh, and the perennial goal of de-cluttering both our physical and metaphorical space. On the larger front, I do hope the world can find a bit more peace, and the regime here in the United States continues to fray at the edges and perhaps even crumble.
We at CatSynth wish you all a Happy New Year and all the best for 2026!
Ringer creates a soundscape with the Waldorf Blofeld. Submitted by our good friend Damien Olsen.
We also see a Line 6 delay pedal, Korg M50 and TR61 keyboard synthesizers, a Roland SP-404 SX sampler, and more.

Ringo poses amidst the creative chaos. We see a Roland Juno-D synthesizer, a Hologram Electronics Microcosm Pedal, a Zoom B3 bass effects pedal, pains, a bowl of painted eggs (or are they painted egg-shaped rocks?).
From our good friend Damien Olsen in New York.
You can see Ringo’s previous appearances via his tag.

Goose sits atop a Roland Jupiter-50 synthesizer and plays us a D and E major second. Behind him, we see an ARP Odyssey reissue with MkII livery, and a Rhodes piano.

Submitted by Ian Alexander Ratzer via our Facebook page.
This is Goose – he hopped up on my Jupiter-50, my synth I use for live work, which is blocking my Rhodes and ARP Odyssey full-size reissue in Mark 2 livery, along with their pedalboards- while I program patches for my next gig.



We see the inseparable Tommy and Selma next to an Oberheim Xpander and a Roland D-50. We also see a PGM-1000 programmer for the D-50, and various pedals.
Submitted by René (@sportcatmusic on Instagram), who shares this:
Selma is the orange one and Tommy is the black one. They were rescued from Ibiza 16 and 18 years ago. Since then, they’ve been together 24/7 every day, very lovingly. Selma passed away 2 months ago. Tommy has been alone since then and is having a difficult time.
We at CatSynth are saddened to hear of Selma’s passing, and send our condolences to Tommy and René for their loss 😿

The lovely Olive is back! She has an amazing collection of vintage keyboards from Roland, Yamaha, Korg, and Akai.
Submitted by our friend Charles Whiley via Instagram.
