#WeAreOrlando Personal Response

More than any of the mass shootings in the last few years (and they seem to happen more and more often), this one has especially rattled me and affected me. There is the realization that this wasn’t random, but targeting a specific group. Targeting the LGBTQ community. Targeting us. I see more of myself in the 49 names and faces than I do in the victims after most shootings, not because their lives weren’t as precious, but because these victims could have been me. And then there is the frustration that this will get lost in the prevailing rhetoric that predictably goes to gun control and fears of Islamic terrorism. Sure, there have been a lot of statements of sympathy towards the LGBTQ community, and articles documenting the sad history of attacks over the decades, but nothing that puts the violent hatred towards us at the center of the conversation or looks at the causes of why this persists despite so much advancement legally and politically.

It is connected to things that do not involve guns but involve similar hate, such as the series of killings of trans women of color here in San Francisco, or the “bathroom laws” targeting the trans community that “other” and demonize trans women making them such likely targets. It’s the long history of arsons of gay clubs and even churches. Of beatings, particularly of gay men. Of the much mythologized Stonewall Riots themselves.

This occurs not in a vacuum but in the context of issues in the U.S. that don’t get enough scrutiny. We need to talk about how toxic masculinity fuels hatred towards sexual minorities. Young men already disaffected by whatever repulsed by two men kissing or a woman who may have been born a man. And we need to talk about the problem of religious fundamentalism. Even when it’s not in the forefront such as discrimination based on “religious freedom” it’s lurking in the background, with some connection to Christian or Islamic fundamentalism in particular used as justification. One must wonder why these religions would put so much focus on sexual identity and behavior that they would justify hurting or killing someone, but they do. And statements simply saying “we believe in peace” is not enough – we need people of faith to question why tenets against sexual minorities are even important to their religions at all, let alone something of such dire importance to discriminate or incite violence (or call special legislative sessions). They should to start to move away from these doctrines even if it is a break with “tradition”, and make it a priority to speak out against fear, hatred and violence of LGBTQ individuals. And those on the progressive left of U.S. politics, whom I see as comrades in most circumstances, need to also make this a priority. It’s hard to care about who is getting campaign money from whom when misguided laws and violence put ones own existence in question.

I certainly hope this moment doesn’t turn into an excuse for counter violence against anyone, much less a call to war. That would be the wrong outcome. The important thing is for those from communities most responsible for the hate and violence, angry disaffected men and religious communities, to question and show that they are ready to change and to say “no more of this. Not from us.” That’s a lot to ask, but we can at least start.

KrOB, bran(pos), Amanda Chaudhary, Passions Nouveau at Second Act (SF)

KrOB, bran(pos), Amanda Chaudhary, Passions Nouveau at Second Act (SF)

Another week, another show, or so it has seemed since late May. This one will be a solo set, combining my jazz and funk keyboards with experimental electronics on an analog modular synth; and of course the Theremini. Plus, hopefully, a mix of music and fashion if a recently acquired dress gets back from the dry cleaner in time. If you are in the Bay Area tomorrow, details are below.


Wednesday, June 15. 7:45PM
Second Act, 1727 Haight St, San Francisco

KrOB
Subholy priest of the subgenius, KrOB knows that sight and sound are united most when most they are exploding. Heads seem always to blossom in gore, pants burst timely into flame, and each babystroller leaps from its screaming caregiver right on cue. Come get your sweet spot pummeled by the best of the very best, the lowest of the unfathomable.

Podcasts

bran(…)pos
Diehard fans have seen every interior of the bran(…)pos writhe into view via handbuilt multimodal apparatii of self-extrusion. From costumed dissimulations and facial piezoelectrics, to Great Oz-headed video, circuit-bent stiletto, mic swallowing and pharyngeal-cello right between the knees. But until now, the engine at the center of it all has remained hidden: the bubblegum. Keep your eye on the event horizon as the first wad hoves into view at this tape release show for The Bubblegum Forgeries, first in a four volume series.
https://branpos.bandcamp.com/album/the-bubblegum-forgeries-vol-1

Amanda Chaudhary
Modular synthesizers, kids’ toys, and all manner of folk instruments combine to confound and awaken heretofore undiscovered sensibilities of her audiences. Chaudhary is also a photographer, fashion model, designs technology for creativity, and operates the foremost blog on cats and synthesizers, CatSynth.
http://www.amandachaudhary.com/

Passions Nouveau
Glen Park sound artist and Ka coach repurposing homemade electronic instruments as accompaniment to raw field recordings of degenerate ultra underground sex culture.
TorLink to dark stream available on request.

Happy 11th Gotcha Day Luna!

Today marks Luna’s 11th Gotcha Day (adoption anniversary) since I first brought her home from the Santa Cruz County animal shelter on June 10, 2005. She has come to be the queen of her home in the years since.

This Gotcha Day is a particularly sweet one, considering all that has happened over the past year. It was about one month after her previous anniversary that we saw the first signs of her cancer and got the formal diagnosis soon after. She was given only months at best with aggressive treatment. But with love, attention and the best medical care available, she is still with us a year later and thriving!

And she is still the star of CatSynth.

We are looking forward to a weekend of celebration and treats.

Please join me in wishing Luna a very happy Gotcha Day!

Amanda Chaudhary and Tania Chen at Spectrum, New York

Today we look back at my performance with Tania Chen at Spectrum in New York, a little over a week ago.


[Photo by BC]

Our duo is built around a mixture of experimental improvisation with electronic instruments and other elements, and songs with lyrics, melodies and chords, often segueing seamlessly from one to the other. Spectrum has a wonderful Steinway grand piano, which allowed to Tania to exercise her piano skills while I focused on chords and rhythm with a Nord Electro keyboard and DSI Prophet 12 and Moog Mother-32 synthesizers. At times the sound was dark and droning, others very sparse, and many times quite humorous – after all, we did sing a “Cheezy Love Song.” The songs themselves were quite structured, but there as well as the improvisations in between we were able to play off one another to create patterns and textures.



[Photos by BC]

I particularly like the sections combining the acoustic piano with the Prophet 12, and our dueling Casio keyboards. And yes, we had a lot of fun. You can see our full performance in this video below.

Overall we had a great time performing and it was quite well received by the audience. It wasn’t actually our first show together in New York. That was at the Brick Theater in Brooklyn and will be discussed in a separate article.


Our performance was in the middle of the bill. The evening began with a set by Hey Exit, a solo project by Brooklyn-based Brandan Landis.

Using guitar, electronics and video, Landis created a dark soundscape, sometimes noisy and drawing from his backgrounds in punk and noise, but at other times quite haunting and ethereal. The room was particularly dark, with light only from the video screen and a nearby candle.

Hey Exit was followed by a solo set by Jeff Surak featuring sundry electronic and acoustic sound sources.

Much of the set featured long drones with rich timbres, but also details such as beating patterns and occasional breaks in the sound. The timbres could be tense at moments, but overall tt was a very meditative performance; and a perfect sonic segue into our very different set.

We were immediately followed by Jarvis Jun Earnshaw performing with guitar, voice and electronics.

His sound at times was reminiscent of cafe folk singers, but his voice was anxious and abstract. The entire performance mostly followed the pattern of combining these elements with high-feedback delay and other effects.

The final set Jenn Grossman, another Brooklyn-based musician and sound artist.


[Photo by BC]

Her electronic set featured vocal experimentation with electronics, including rhythmic and ambient elements. Although also making use of drones, it was very different from Jeff Surak’s sound, more harmonic and thicker, more like a dreamy movie scene versus a tense dark space. There were percussive hits and noisy bits as well, which gave the music a defined texture.

It was overall a great experience being back at Spectrum and performing along with all the other acts. And we had a sizable and appreciative audience, despite the space being a little hot that evening. Thanks as always to Robert Pepper (Alrealon Musique) and Glenn Cornet for hosting us, and hopefully I will play there again soon.

NextNow Presents All Tomorrows’ After Parties 2016 (with Vacuum Tree Head and CDP Trio)



[Artwork by J.B.]

Well, it’s finally here, the big show at Berkeley Arts, Next Now Presents All Tomorrows’ After Parties. I will be performing tonight with Vacuum Tree Head at 9:30PM, and tomorrow with my new CDP Trio at 7:00, preceded by the Lingua Incognita Session at 5PM. If you are in the Bay Area, please join us either or both nights for this great event. Details are below.


NextNow’s All Tomorrows’ After-Parties 2016

June 3rd-4th-5th 2016 Berkeley Ca

PURPOSE
A spring celebration of the creative music community in the Bay Area and beyond. Coming together
to support worthy grass roots non-profit organizations, this Spring our proceeds will benefit the
Homeless Action Center http://homelessactioncenter.org
SF Coalition On Homelessness http://www.cohsf.org

DATES
JUNE 3,4,5 (Friday Evening, All-day Saturday and Sunday)

LOCATION
Berkeley Arts Festival Space, 2133 University Ave, Berkeley CA

ADMISSION
$12 for one day, $20 for all three days.

ARTISTS

Friday June 3rd
07:00 PM Pompelly/Allen Duo
08:00 PM Cartoon Justice w/Authors Meg Pontecorvo&David Gill
08:30 PM Poetics of Narrative
09:00 PM Oa
09:30 PM Vacuum Tree Head

Saturday June 4th
02:00 PM SHIVA X
02:30 PM Trois Chapeaux w/Jorge Bachmann
03:00 PM Jack Hertz
03:30 PM T.D. Skatchit
04:00 PM Reconnaissance Fly
05:00 PM Lingua Incognita Session
06:00 PM Matti Bye Ensemble (Sweden)
06:30 PM Jeffrey Alexander Trio
07:00 PM CDP
07:30 PM Lau Nau (Finland)
08:00 PM v’Maa w/kinetic video sculpture
08:30 PM Bill Wolter Project
09:00 PM Ear Spray
09:30 PM Tri-Cornered Tent Show

Sunday June 5th
02:00 PM Alphastare
02:30 PM Denny Joints
03:00 PM zBug
03:30 PM Will Alexander
04:00 PM United Separatists
05:00 PM Colin Dyer
05:30 PM Mark Clifford Project
06:00 PM John Shiurba/Philip Greenlief Duo
06:30 PM Cosmists
07:00 PM Jordan Glenn
07:30 PM R Duck, Wayne Jackson, Doug Lynner
08:00 PM Amy Reed
09:00 PM Ebolabuddha