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#OccupySF October 26

On Wednesday, I returned home to San Francisco around 9PM and was greeted by the sounds of helicopters overhead. I went outside to the patio and saw a helicopter flying closer to CatSynth HQ and lower to the ground than I had ever seen. We had all seen what had happened across the bay in Oakland the day before, with tragic results. Twitter was alight with concerns and rumors that a raid of #OccupySF was possible, and the official protest feed exhorted followers to “come join us”. So I did.

There was a fairly large crowd when I arrived at Justin Herman Plaza, and a rather festive atmosphere. In the center of the plaza, north of the camp, there was a large circular procession like a picket line. A small brass and drum band was playing a funky riff. Indeed with the bass line, pentatonic scale and four-on-the-floor rhythm it had a bit of an old disco feel! You can hear a bit in this video:

The sound from the iPhone recording was not that great, so the lower brass instruments are a bit soft. But there was a bass line, and the bass line is key to the disco/funk feel (something I suspect most Tea Party rallies lack).

However, underneath the party-like veneer it was a bit tense. The nearby BART station was shutdown (as were the stations in downtown Oakland), and reports were flying over Twitter of various groups of police massing, most notably in the Potrero Hill area where they were seen to be boarding MUNI busses. This led to all sorts of jokes about the fact that if they were riding MUNI they would probably never make it here. But jokes aside, organizers and participants took the threat of a raid quite seriously. We had frequent drills for those who were going to hold the camp (and thus risk arrest), and those who were going to form a more diffuse perimeter. There were advisories on what to do in the event of tear gas being used. It involved vinegar. It did not sound pleasant at all.

Hours went by, alternating between the festive party-like scene, the drills, and an open mic. No sign of any police activity – a fire truck with horns blaring did pull up near the camp, but that was it. Still, conflicting reports and rumors continued to circulate. There was even talk that people from #OccupyOakland who wanted to come across the bay to support us would attempt to cross the Bay Bridge, which is a busy freeway even at night and has no pedestrian sidewalks of any sort. (It was amusing to follow that from the point of view an anthropomorphized @SFBayBridge). This of course did not actually happen, though a small number of people from Oakland were able to come across by using alternate BART stations or other means and did speak to the assembled crowd, including accounts of what had happened on Tuesday and what people in Oakland were doing that evening, and a moving account of what happened to Scott Olsen.

Several political figures from the city were on hand as well, including several members of the Board of Supervisors (our city council equivalent) and a few mayoral candidates. Current Mayer Ed Lee was not present. However, my own Supervisor, Jane Kim, whose district covers my neighborhood as well as the plaza itself was present – I had actually run into her and (almost literally) earlier in the evening but not recognized her at first. At first, the officials started speaking so a small crowd of media people around 2AM, but after a back and forth with protest representatives, they came to speak to us, using the official “mic check” and call-and-response system:


[video by josborn25 on YouTube.]

There was one really annoying heckler, even though he seemed to be echoing the immediate and long-term concerns of many in the Occupy Wall Street movement, he was not respecting the mic system, the speakers or the audience, and its not clear to me if we was really an agitator rather than an overly enthusiastic supporter. For example, he was demanding portable bathrooms, even though the city had already provided several that were present and available at the time.

In some ways it was a lonely experience. I did not really have any close friends there. But I did feel connected to a community online on Twitter, with people I know across the bay in Oakland who sent and solicited updates, and with readers beyond who let me know they supported my being there.

I ended up departing around 3AM. It felt like a raid was not likely. And I was happy to see the next morning that it did not happen. It’s not clear if there was a raid in the works that was called off or if it was never really planned. It will also be interesting to see how the movement and the events this week and next week play into local politics (we do have a mayoral election coming up in less than two weeks).

San Francisco Open Studios at Art Explosion

San Francisco Open Studios has been going on all of October. I have live tweeting from my various studio visits each weekend using the hashtag #SFOS. But as both the month and Open Studios draws to a close, we look back and my own experience on the first weekend, showing my photography at Art Explosion and in the showcase at SOMArts.

The works were mostly drawn from the same set that I featured in the solo show at The Parts Room in Oakland in early September, include the “triptych” of the large red, blue and yellow pieces.

The show in Oakland was a great experience, the best visual arts show to date. And I learned a lot about hanging which I put to use for Open Studios. This was most true for the showcase at SOMArts, where I showed up fully equipped to have my piece perfectly centered and mounted in the allotted space. The tools and meticulous measuring and drilling of holes seemed to impress the staff at ArtSpan.

And the work paid off with the end result (though the camera distorts the leveling a bit).

During the preview party, I received numerous positive responses from visitors and various people in the arts community.

The response at the studio itself was also positive. There weren’t always a lot of people visiting, it came in waves throughout the weekend, but those who did come were quite engaged.


[Photo from Art Explosion Studios Facebook page.]

I received both positive and constructive feedback over the weekend. One thing that is clear is the strongest works are those, like the “triptych” that focus on details of the urban landscape, a particular shape or pattern or color. Those are also among the most rewarding to work on, so I will likely focus more on this in the future. I will probably continue to have humorous pieces as well. People of course loved the big orange cat. The doll was a lot more polarizing (see the most recent Wordless Wednesday for an example), with some people really liking it and others hating it.

In balance it was a good experience – it was also great to share it with the other artists in the studio. It was also nice to get it out of the way during the first week, and spend the rest of the month as a viewer rather than presenter. But I am left with a sense of “OK, what next?” in terms my visual-art work…

Robert Reich at #OccupySF

Last week I returned to #OccupySF, specifically to hear Robert Reich, former Labor Secretary and current U.C. Berkeley Professor.

It was a somewhat cold and windy afternoon, not unusual for San Francisco, but there was a decently sized crowd for a weekday afternoon. I did attempt to video part of the speech on my iPhone. It came out terribly. But fortunately pixplz on Twitter made a full-length and high-quality recording of the “teach in”. I recommend checking it out.


[Video by justinryanbeck (pixplz on Twitter).]

I have listened to many of his commentaries on radio and read his editorial pieces, and usually find him to sound quite reasonable. Indeed, I have been curious why we was not invited to be part of the economic team in 2009 to address our crisis. He was quite detailed in responding to some of the more articulate questions, and very patient with the “other” questions. There is always going to be some of both.

Overpass (August 17, 2003)

Although I had driven this particular stretch of freeway through Las Gatos countless times, I did not recall seeing this particular overpass before. It was exceptionally tall, far taller than the other overpasses that I did remember; they were generally about fifteen feet above the freeway. It was a perfect black against the imperfect black of the night sky.

Car Doors (April 17, 2003)

I heard a car door slam shut, and then another and then another. It seems to me too many car doors to be shutting at the moment, but I suppose eight o’clock in the evening is a good time to close a car door. Some cars, of course, have more than one door that may need to be closed, particularly if they have more than one occupant, or just a lone person retrieving an item from the other side of the car, as I often do. Still, it seems like a lot of car doors being shut.

There are supposedly one hundred and fifty million cars in use in the United States at this time. There are approximately thirty-one million seconds in a year. If each car had only one of its doors shut once every year, that would be about five doors being shut per second. A quintuplet at sixty beats per minute. Cars generally have between two and six doors, which subdivides and complicates the rhythm, perhaps a theka that does not land evenly on a quarter-note-based meter. Of course, the number of times each door on each car is shut has such enormous variance that all we are left with is noise. But noise has its own rhythm, a soft steady continuum that swells and ebbs, forming a multitude of short pulses in between stronger beats, waves whose strongest crests occur at mid morning and mid evening. Pulse, beat, meter and form arising from millions of independent actions, happening without their actors aware of one another but nonetheless connected.

I heard a car door slam shut becoming water and the water became music.

September Photography Show at The Parts Room, Oakland

As I prepare for tonight’s opening at Art Explosion Open Studios in San Francisco, I look back at the opening just two weeks ago at The Parts Room in Oakland.

The Parts Room is located in Classic Cars West in Oakland, a venue that, as the name implies, primarily deals in classic cars. Many of these cars are themselves works of art.

In the above picture, we see two of the cars in display with large-scale artworks by GETBIZI. I thought his pieces would particularly well in conjunction with the cars, sharing the brought colors, clean lines, and including California-style landscape that is synonymous with car culture. I also found the pieces by Optimist, which featured a combination of industrial elements such as shipping contains with modern Asian signage and imagery, fit well with the environment and with my own work.

The overall show in the main gallery was titled “Mechanic Arts”, with many of the artist relating to the “mechanical” or “industrial” theme in different ways. Mark Schroeder’s sculptures combined new and old technologies with wood, metal and light generators were sprinkled throughout the main room, sometimes on top of old barrels. Similarly, Nicole Bommarito’s constructions with Polaroid emulsions combine various vintage technologies. John Paul Marcelo and MoE were also featured with painting and large installations, respectively. The work of these artists shared a weathered look of older industrial products and processes, which fit well with the space but were in sharp contrast to clean and streamlined quality of the cars, and of the large panels from GETBIZI.

The Parts Room itself is a long and narrow space, which made for great opportunities to display both the large pieces as well as some of my iPhone Hipstamatic prints.


[click images to enlarge]

We actually spent quite a bit of time meticulously lining everything up to make use of the space. In addition to just getting everything straight, I wanted to emphasize the lines, geometry and industrial elements on the pieces, as well as the prominence in one color in several of the pieces.



[click images to enlarge]

Overall, the response to the show was quite positive, and it was great to see so many people come through and show an interest, particularly on the Oakland Art Murmur night.

Overall, this was undoubtedly my best visual art show to date. It was well attended, and I received lots of positive feedback. It was great to have such support from Rebecca Kerlin to make this show happen, and to have the time and space to put in the effort to make it come out well. I also learned a lot about how to be precise in hanging and presenting work – something which I plan to bring forward with me in future shows.

It was sad to have to dismantle the show after only a couple of weeks, but I needed many of them for Open Studios. I did try and re-create the triptych of the red, blue and yellow pieces, although with less space. We will see how it goes.

A Perfectly Clear Day

This photo was taken in November, 2001 in the West 4th Street station. Clearly, at that particular time the E train was not running to the “World Trade Center at all times.”

Earlier in the day, I had been at a photography exhibit and benefit for families of September 11 victims. I did purchase a print, a stark image of the ruins of the distinctive steel structure with the Woolworth Building in perfect alignment behind it. I took the print out of storage today – it is quite beautiful in its way, but not something one can hang on the wall. It has fallen out of place in its frame and now appears tilted. Things like that can happen in ten years.

A couple of days ago, I came upon an interactive feature at the New York Times describing the World Trade Center plaza as it had been. The narration by David Dunlap ended with the phrase “the plaza sometimes seemed every bit as barren as it appears in this re-creation…and yet, I miss it so very much.” The statement, attaching emotion to the stark ultra-modern space truly resonated with me.

Ten years ago, I was about as far away from New York as I had ever been – not necessarily in geographical distance, but emotional and personal distance. My life was spiraling downwards precipitously, and would in many ways get worse in the months to come. That morning was a huge jolt in the middle of it. The violence destruction in New York left me with a huge sense of guilt, of not being there, and of being so disconnected from myself and what I wanted in life. The trip to New York in late November 2001 was necessary and important – it was part of long circuitous journey to find my way back. It is still a work in progress.

Meanwhile, the “work in progress” at the site continues:

I was happy to read that the new building has now has its correct name, simply “1 World Trade Center” and not that obnoxious jingoistic name it was originally given. I was little bit disturbed to read this story about the construction process, however.

The new plaza does not have the starkness or detached modernist ideals of the original, but we live in a different time, and it serves a different purpose, of honoring the victims and their families and of reconnecting the site to the surrounding community.

We will see how it unfolds in the coming years.

Getting ready for today’s performance – noise synth

While preparing for today’s μ-hausen at Camp Happy performance in the Santa Cruz Mountains, I snapped this Hipstamatic iPhone photo of the custom noise synth created by Travis Johns that I will be using.

I think the noisy and somewhat unpredictable quality of some of the Hipstamatic algorithims fits perfectly with this instrument. (Though I do wish the Hipstamatic did a better job of focusing.)

Also in use will be the Wicks Looper, the DSI Evolver, the iPad and the monome.

CatSynth 5th Anniversary!

Today we mark the 5th Anniversary of CatSynth!

I started this site on July 19, 2006 as a novelty when a friend and former colleague at E-MU systems suggested that I “should make a website about cats and synths.”

Every anniversary we feature the photo of Luna from the inaugural post.

I still have that Novation keyboard, though it does not get used as often of late. Luna of course still is very territorial about that beanbag chair. Times have changed a bit, here is an iconic photo of Luna from this past year, this time with an iPad app (in this case, the Smule Magic Piano):

Another quirky way we like to celebrate is with statistics. First the basics:

1559 posts.
0.85 posts per day.
8784 comments.
5.63 comments per post.
476 posts featuring cats and synthesizers.
195 reviews (and gig reports).
381,735 visitors.

Even after five years, people from around the world continue to send us pictures of cats and music gear. These days most of those come via our Facebook, which together with twitter has become a major way people engage with this site.

From Google Analytics (which we finally got working properly over the past year), here is an overview of where our visitors come from around the world.

By far and away most of our visitors are from the United States, followed by the United Kingdom, Canada, India, Australia, France and Germany. I’m gratified to see so many visitors from India, though I’m curious why we never receive any comments from there…

It’s also interesting to look at cities.

Not surprisingly, the top cities are San Francisco and New York. In Google, it’s SF followed by NYC, while in Facebook, New York is the top city.

Our most popular posts judged by number of visitors are the annual endangered wild cats on earth day.  Over the past year, our most commented posts were:

Wordless Wednesday: Herman (Groundhog Day) 35
Wordless Wednesday: Doll and Metal Beams 28
Wordless Wednesday: 6506 (Baker Beach) 27
Wordless Wednesday: Matzoh Man 27
Happy Birthday Luna! 25
Wordless Wednesday: 7643 (New York, Late Autumn) 25
Wordless Wednesday:  Wet Paint 25
Wordless Wednesday: Mosaic with Saxophones 24
Wordless Wednesday: Summer Solstice 24
Wordless Wednesday:  Harrison Street Hipstomatic 23

Our top commenters the past year:

Kitty 199
Mickey, Georgia and Tillie 146
Gattina 94
CatSynth 90
The Chair Speaks 66
meowmeowmans 65
Snowcatcher 56
AVCr8teur 51
Daisy the Curly Cat 48
Cats of Wildcat Woods 41
Beth @ 990 Square 40

Thanks to all our friends (in time zones earlier than U.S. Pacific Daylight Time) who already sent in comments for the anniversary, and to the Cat Blogosphere for their anniversary shout-out!

And while we will continue to keep doing what we do, it has been more of a challenge over this past year to keep up with posts, especially the longer-form reviews. There is a trade between doing music and art, and writing about people doing music and art. But I still love doing everything here, and will find a way…