This cat holds court with a Korg Kaossilator (yellow) and Kaoss Pad (red), along with an impressive collection of Make Noise modules. There is also a golf ball on the Kaossilator, which I find visually interesting.
The adorable Meelee joins us today from Hong Kong with quite a setup. She has a Synthstrom Audible Deluge, a Moog Mother-32 and Subharmonicon, and sundry Eurorack modules including several from Mutable Instruments, Make Noise, Endorphines, Expert Sleepers, 4ms, Electro-smith, and more. Submitted by Jan Hohmann via our Facebook page.
The Deluge from Synthstrom Audible is a new one for us. It is a portable synthesizer, sampler, and sequencer. A very popular combination these days as we see many instruments that combine these features in different ways.
A more recent photo of Orion, who we featured last week and in a few other posts. He really looks like Big Merp from this angle, though he has a smudge on the right side of his nose.
Orion (and Justin) have some very cool audio gear here, including the Eventide H9000 and some analog Universal Audio. We at CatSynth do covet these. πΈπ
The beautiful Xandra – a Siamese oriental shorthair cat – sits proudly in front of a modular system featuring offerings from FolkTek, Moog, Malekko and more. Xandra fits purrfectly with the aesthetics of the FolkTek modules.
We at CatSynth always love meeting other cats named Luna. This Luna once hid behind a 6U Eurorack modular case when she was a kitten. It is reported that she is too big for this space now.
An older photo of Orion with an Elektron Analog Four (Mk1) and a Eurorack system featuring a Flight of Harmony Choices joystick, various offerings from Make Noise and Doepfer, and more.
I have on many years posted “A Perfectly Clear Day” on September 11. This 20th anniversary may be the last.
In November of 2001, I was back in New York and went to an exhibition of 9-11 photography. I purchased this print of a photo by Anthony Domino (with proceeds going to victims’ and first-responders’ funds).
It is a beautiful picture of a horrific ruin. I had it framed. But I can’t look at it often. It sits safely in a closet.
As for today, I don’t know that I could express the mixed feelings any better than I did on A Perfectly Clear Day 2018, so I invite you to read that. The thing that is different now is the pandemic. A far larger, far more catastrophic event. And this time I have not been able to go back to New York. I did not go at all in 2020, and whether or not I will be able to go in 2021 remains a question. The fear, anger, and trauma I have in 2020/2021 are no longer turned outward towards an external threat, but rather inward at people in our own country. But that is a story for another, less perfectly clear day.
So much has happened and changed in 20 years. It is time to put this tradition to rest.