Big Merp loves attention and always wants to be where the action is. So it’s fairly common to find him on this spot between the MacBook Pro and the Modular system. And in this instance, he struck a particularly handsome pose đť. You can see quite a few of our Eurorack modules, including our prized Metasonix yellow and silver tube modules in the upper left corner of the case, as well as many others that have appeared in our recordings and videos over the years. A full list of brands is in the tags.
This is also where we shoot a lot of our hardware demo videos, so it often ends up cluttered. But we always make sure there is space because you never know when Merp is going to jump up and say hi.
Today we feature our very own Big Merp in the studio. He was assisting with our recent video on the Yamaha RX5 – specifically the “RX5USB” cartridge. We also one portion of our modular collection, including Metasonix modules, Rossum Morpheus, E350 Morphing Terrarium, Benjolin, Expert Sleepers, Sputnik Modular, Mordax, 4MS, Make Noise, Pittsburgh Modular, Koma Elektronik, 2hp, Folktek, and more.
This is the video we were working on at the time.
We also have a detailed tutorial for the RX5 itself
Today we have CatSynth pics with our very own Big Merp, who loves to jump up on the desk. Here we see him with our Yamaha RX5 drum machine and our massive modular system. The Metasonix modules are easy to spot, as are the Make Noise modules. We also have MOTM, Rossum Electro-music, Sputnik modular, 4MS, Malekko, Folktek, Mordax, and more as we get into the second grouping in the distance. We also see a bit of the Arturia MiniBrute 2 and Moog Mother-32. A fuller accounting can be found in the tags.
We have a treat for you today, a sequence of the OP-Z from Teenage Engineering sequencing the Voltage Research Lab from Pittsburgh Modular. Elliott the cat presides, and by all accounts approves đ¸.
With Pittsburgh in the news, perhaps for all the wrong reasons, we thought we would have a little fun exploring what the city has to offer.
The city is located at the convergence of the Allegheny and Monongahela Rivers, which merge to form the mighty Ohio River. This was a fact we learned young with the frequent appearances of Three Rivers Stadium on TV and the subsequent challenges to name the three rivers. For whatever reason, Allegheny was the hardest to remember.
The downtown is wedged between the two upper rivers and enveloped by a network of highways including I-279, I-376, I-579 and PA 28. In this early-morning photo, we are looking across the Monongahela River, with I-376 along the shore and the skyscrapers of downtown behind it. As a city of rivers, it also becomes a city of bridges.
The Pittsburgh of 2017 (even the Pittsburgh of 1997) is far distant from its industrial past as a center of steel, coal and many other manufactured materials. This history does live on in many circa-1900 houses and buildings, and the ubiquitous presence of Andrew Carnegie. Perhaps the most significant of his legacies to the city is Carnegie Mellon University. It has one of the top Computer Science departments, and one of the first Robotics departments. But the university is also a leader in combining science and art. They recently became the one of the first universities to offer an integrated practice in robots and performing arts; and I have collaborated with professors and students in computer music, including Roger Dannenburg, whose work on managing time in computer-music systems influenced my own research on the topic. CMU is located far to the east of downtown.
Among the sons of Pittsburgh is Andy Warhol, love him or hate him, he was a major influence on American art in the late 20th century. The Andy Warhol Museum sits on the north shore of the Allegheny, not far from I-279 and PA 28.
Like my home cities of San Francisco and New York, many of the city streets in hilly Pittsburg are actually staircases, which sound like a lot of fun to explore. One can take official walking tours, or simply wander (as I often prefer myself).
We would be remiss if we did not also give a shout-out to our friends at Pittsburgh Modular Synthesizers. We have several of their modules, which feature a classic mid-century design aesthetic. (They also include space-themed cards and tchotchkes in each box.) You can read our many posts featuring Pittsburgh Modular synths, sometimes with cats.
With these characteristics of a truly modern city, itâs not surprising the the mayor, Bill Peduto pushed back on the use of Pittsburgh as a prop for Presidentâs disastrous decision. As he states in this quote [1]:
âCouldnât have picked a worst city,â he said flatly. âI was in Paris with 500 mayors around the world. It wasnât only heavy on fossil fuels but it went through a depression where our unemployment was greater than the Great Depression.â It was only when we started to look to the future we started to have an economy going up. Today, weâre back on a global stage, not through our old economy, through robotics and artificial intelligence and if it werenât for that position Pittsburgh would never have been able to get back up.â
We at CatSynth hope to visit the city sometime soon.
See more of Pittsburgh and many other fine cities in our Highwayâ app, available on the Apple App Store.
We opened this year’s NAMM coverage with a visit to the embarrassment of riches among modular synths at Booth 5000, so it is feeding that we return there for our final article. You can read the first installment (with a separate article devoted to the new offerings from Rossum Electro-Music).
We at CatSynth are fans of Make Noise Music and their modules. This year they introduced the TEMPI.
The TEMPI is a “six channel, polyphonic time-shifting clock module” that allows to create and store clock-signal arrangements using both algorithmic and manual techniques. The channels can be linked to do classic clock-divider and multiplier patterns, as well as manual entry. The divider/multiplier are continuous so can go beyond integer ratios. And it has storage for 64 6-clock configurations. I often complain about my current lack of clock sources (especially for driving the Make Noise Rene), so this would be a potential great addition.
Make Noise also released standalone synth, the 0-Coast.
Like the offerings from many manufacturers this year, the 0-coast is intended to be an integrated full synthesizer voice, complete with CV and MIDI control. As one would expect, it’s a bit more esoteric than the equivalents from Roland and Moog. The parameters remind me a bit more of a Serge or Buchla synth.
Pittsburgh Modular also released a new standalone modular system, Lifeforms.
The Lifeforms is a single-voice unit with oscillator and Pittsburgh Modular filter plus integrated controls. It can be paired KB-1 pressure-sensitive controller to make a fully autonomous instrument. You can here a bit of my attempt to play it in this video.
A video posted by CatSynth / Amanda C (@catsynth) on
The Lifeforms does seem like a rebrand. While the sound character reminds of me of existing Pittsburgh Modular synths and it retains the iconic knobs, the stenciling on the faceplates is different – the old “typewriter” look of previous modules has been replaced with a more contemporary style. The system would make a good entry to more advanced modular synthesis.
Endorphines was presenting their own colorful line of modules.
The heart of their system is the Furthrrrr Generator, a complex VCO reminiscent of Buchla synthesizers with its simple functions based on harmonic relationships. Similarly, the Fourierrrr module provides waveshaping using harmonic relationships. These are complemented by a serious of function and control modules, including the Shuttle Control that converts between USB, MIDI and CV. You can hear a bit of fun with their modules in this video featuring our little mascot.
WMD presented the new Aperture Filter, a full-module version of their existing Aperture Filter card for Black Market Modular’s ColourCV system.
It is described as “a variable width bandpass Butterworth filter (designed by Tyler Thompson).” You can hear a bit of this filter, along with WMD’s new Performance Mixer.
We conclude with the Haken Continuum, which was on display amonst the modular madness. Not a new instrument by any means, but one that is always fun to return and play. The control surface feels liquidy and comfortable, but familiar enough for an experienced pianist.
The demo included an iPad synth with a string patch that took advantage of the Continuum’s multi-dimensional degrees of freedom. But sitting among the modular synths, one can contemplate other possibilities. To this end, Haken has introduced the CVC that allows direct analog CV control from the fingerboard without the need for a MIDI converter.
There really was a lot at the show that I couldn’t get to, or did not fit into an article. It can always be a bit overwhelming, but very rewarding. In the end, NAMM visits are always a mixture of wanting the new instruments I see, and reaffirming things I wanted from previous years. I will be working on my list…
The downtown is wedged between the two upper rivers and enveloped by a network of highways including I-279, I-376, I-579 and PA 28. In this early-morning photo, we are looking across the Monongahela River, with I-376 along the shore and the skyscrapers of downtown behind it. As a city of rivers, it also becomes a city of bridges.
We would be remiss if we did not also give a shout-out to our friends at Pittsburgh Modular Synthesizers. We have several of their modules, which feature a classic mid-century design aesthetic. (They also include space-themed cards and tchotchkes in each box.) You can read our 
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