Author: catsynth

Vacuum Tree Head and Moe Staiano Ensemble at The UPTOWN

Today we look back at the show featuring Vacuum Tree Head and the Moe Staiano Ensemble at The UPTOWN in Oakland. It was also the subject of our most recent episode of CatSynth TV. 

This was the most ambitious Vacuum Tree Head show to date, at least during the time I have been involved in the band.  There were ten musicians involved: Jason Berry conducting, Steve Adams (of ROVA fame) on baritone saxophone, Jason Bellenkes on various woodwinds, Amanda Chaudhary on keyboard, Richard Corny on guitar, Michael de la Cuesta on guitar and synth, Justin Markovits on drums, Joshua Marshall on saxophones, Amy X Neuburg on voice and blippo box, and John Shiurba on bass. 

Vacuum Tree Head.  Photo by Crystal Lee

The band delivered an impressive and truly dynamic performance, going through a diverse mix of styles from our current repertoire.  And that fact that the core of the lineup has stabilized means that the tunes are always getting tighter and more idiomatic, especially our “big” numbers Nubdug and EMS Deluxe – I always have a lot of fun in the latter with a big 1970s style electric-piano solo.  But this set was more than just music – it continued the band’s pattern of adding new spectacle at each show.  This time, we had a juggler, Colin Hogan, and my friend and frequent collaborator Serena Toxicat held up signs for audience participation.  The juggling was a unique moment, with Hogan tossing lighted beanbags and other objects as we played a new version of the tune Marlon Brando

Overall, I had a wonderful time playing, as I’m pretty sure the entire band did.  And we got a great response from the audience at The UPTOWN.  Next, it was time for the Moe Staiano Ensemble to take the stage.

Moe Staiano Ensemble

This was also an ambitious set, building on Moe’s previous ideas but with an even larger ensemble of guitars:  Jay Korber, William Bohrer, Melne Murphy, Damon Wood, Robin Walsh, Drew Wheeler, Bill Wolter, John Shiurba, Josh Pollock, David James, Marc Zollinger, and Karl Evangelista.  That, my friends, is a lot of guitars!  But they were also joined by Steve Lew on bass and Jeff Lievers on drums.

Moe’s large scale composition followed a classical form of three movements: a loud opening fanfare, a calm and moody second movement, and amore dynamic finale.  It featured many of the idiomatic elements I have come to know and appreciate in his compositions from my time playing in Surplus 1980, including the repetitions coming in and out of phase.  During the first movement, there was a driving eight-note patterns with phasing that created an intense but pointillated wall of sound.  The second movement, which contained slower notes and lots of open space, was exceptionally beautiful, and my favorite part of the performance.  You can hear some of it in our video.

It was a wonderful night of music in Oakland, and I was happy to be a part of it both as a performance and an audience member.  There was a fairly decent turnout, especially for a Tuesday.  It’s not every day you can get this cast of musicians on a stage at once, as both groups did, but I look forward to the next time they do.

Remembering Luna, Two Years Later

Even with so much happening in our own lives and in the world at large, we pause it all on this night to remember our beloved Luna, who passed away two years ago on October 31.

There is a both a poetic beauty and a cruel irony in the fact that she left us on Hallowe’en.  It was the day every year that she was the star of cat-blogging world, hosting the annual Hallowe’en edition of Weekend Cat Blogging and being the most beautiful of beautiful black cats.

As we begin the yahrzeit, we light our memorial candle, and pay special respects to her memorial.

There was a moment of explosive grief as I told her, wherever and however she is, that I miss her so much.  After that, a calmer sadness settled in as I sip a glass of bourbon, play “Dollar Days” from David Bowie’s Blackstar, and assemble this post.

Luna closeup portrait

She was a work of art, and fit in perfectly with aesthetics and design of CatSynth HQ.

But she was also extremely sweet and loving.

Please join me in remembering our sweet little girl, who left us way too soon.  She will always be missed, never forgotten.

CatSynth Pic: Luna and Mellotron Micro for Halloween

Not our Luna, but another sweet black cat who shared the name 😻and all dressed up as a sushi roll for Halloween!  From Yoselin Alcala‎ via our Facebook page.

A Cats on Synthesizers Halloween submission! Our little Luna in her sushi costume with a Mellotron ✨🎃 

“Sushi Luna” is posing with a Mellotron Micro synthesizer.  We at CatSynth are quite interested in this smallest edition in the venerable Mellotron series.  It is also the subject of our most popular CatSynth TV episode.



Weekend Cat Blogging with Sam Sam, and Remembering Luna on #BlackCatDay

Sam Sam continues to delight every day with her adorable antics.

And she certainly gets lots of love and attention in response.

It’s interesting to see how different her unique facial markings look from different angles.

Of course, being the constant center of attention can be quite exhausting, so there is always time for naps.

Sam Sam often sticks a paw on her tail while sleeping, a trait we have remarked on before.  I don’t know whether it serves a purpose or is just a quirky habit, but it is very sweet.

Today is #BlackCatDay, and an opportunity to celebrate and recognize black cats as we close in on Halloween when stereotypes and threats sometimes reach a crescendo.  It breaks our hearts to think of any cat being hurt or abused, but black cats can face an especially different time.

For years, the celebration of black cats on and around Halloween was a ritual, with Luna often hosting the special Halloween Black-Cat Edition of Weekend Cat Blogging (back when that was a shared thing).  Now it is more a time to remember and reflect on Luna, who left us on October 31 two years ago.  We will have a proper remembrance on that day, but for now, we just want to bask in the beauty of our beloved black kitty.

Transphobia and Misogyny

In general, I have been fortunate.  Transphobia is rare in my own life.  I was able to come out and transition on the job, I have supporting friends and family, a nice home, a sweet cat…I have not experienced any trouble in the more conservative places I enjoy traveling.   In many ways, plain-old sexism and the increasing menace of misogyny have been a much bigger issue .  This is why it can be so jarring when it does reach me, as it did over the past two weeks.  There were three punches: the statement that existing civil rights laws on sex don’t apply to gender identity; the active support of businesses’ right to discriminate against transgender employees and applicants; and most sinister of all, the attempt to hard-define gender as fixed at birth, erasing the lives of trans people and taking away the rights and privileges we currently enjoy.  This last one is the one that worries me the most – no, they probably won’t yank my passport or my social security card, but sadly I can’t trust them not to.

I don’t think the buffoon at the top of the executive branch cares one way or another about trans people, but he certainly does like to tweak his base, which seems to take particular pleasure in things that hurt women, trans people, gay men, and the like.  That is the cynical answer to “why now”, but why this seems to be a particular obsession is a more complex question.  I don’t pretend to have definitive answers, but I would point to the prevailing and growing misogyny.  It’s not new, but it’s been particularly ugly of late.  Basically, the recently concluded court fight made the statement that a woman’s pain from sexual assault is not as important as getting a man into a position where he will uphold the traditional authority of powerful men over, well, everything.  They hate women who challenge them, and they hate men who are “not with the program.”  This explains why it is gay men and trans women who bear so much of the anti-LGBTQ violence worldwide.  Both groups are perceived as men who are deviating from the program, and therefore as much a threat as women who defy their authority.

Up to this point, I have focused on patriarchy and misogyny without looking at religion, but it’s impossible not to see the interconnection.  The Abrahamic faiths are practiced by millions upon millions of wonderful people, and their worship and rituals are often very beautiful, but their scriptures are all deeply misogynistic to the core.  It’s not surprising that the fundamentalists of each are the easiest people to rile up against women and sexual minorities.  It’s time we finally recognize this and not treat it so gently.  When civil rights are taken away from LGBTQ folks, they lose everything.  When they are restored, no one loses anything.  The deeply conservative and religious claim they are victimized but we must at every step ask them to list how they are harmed.  Except for a few cases of violence which should be dealt with accordingly, they lose nothing.  What does a county clerk lose when she hands a marriage license to a same-sex couple?  Nothing.  What does the baker lose?  Nothing.  If they fear they lose their faith by participating in civil society, it’s probably time to question the strength of their faith, and not the lives of others.

And progressives who claim to be allies need to prioritize this.  No more excusing bad behavior for economic issues (again I could write a book about how some white progressives see only class and forget race, gender, or sexuality).  No more cynically complaining about “pinkwashing” when a large company does the right thing, as several did in North Carolina two years ago.  Don’t just say you stand with us, make it your priority!  And don’t tolerate those who stand against us, whether TERFs, religious communities that claim persecution, or otherwise.

Oh yes, and please do VOTE.  But that’s just a start…

CatSynth Pic: Synth Fortress

No, that’s not Sam Sam, but a similarly marked cat (at least from the back).  She is inside her own “synth fortress” with w Korg Poly-800, and Yamaha CS01, DX100, and VSS-30 synthesizers.  From thedigitalpurrgatory on Instagram.

thedigitalpurrgatory
Her very own (almost) color-coded fortress of synths while the wooden cat watches her sleep. [Korg Poly-800, Yamaha CS01, Yamaha DX100, Yamaha VSS-30] 

David Pate & Steve Cohn / Manul Override / Ornettology at the Make-Out Room

As we busily prepare for the next Vacuum Tree Head show this coming Tuesday, I find myself looking back at my last show with a very different band, Manul Override earlier this month at the Make-Out Room in San Francisco.  It was the subject of a recent CatSynth TV episode.

The evening began with an improvised set featuring saxophonist David Pate with keyboardist Steve Cohn.

Then it was time for Manul Override’s debut show.  This was a new group I put together with my friend and collaborator Serena Toxicat on voice and former Surplus-1980 bandmate Melne on guitar.

We had a lot of fun on stage, and the energy spread to the audience, with dancing and meowing all around (all of our tunes had at least some connection to cats).  I was particularly happy with the opening incantation, which featured a French rendition of Serena’s ode to the goddess Bast, and our 1980s-pop-style tune “Goodnigobbles”, which also featured Serena seductively delivering lyrics and spoken words in French.  Melne had a chance to show her versatility throughout the set, including our extended funky jam in the middle of the set.  As with all new musical projects, this is a work in progress, figuring out what works for us and what doesn’t, and how to make each show better than the previous one.  But it was also fun visually, with our fashion statements, cat ears, and Melne’s lighting.

The final set featured Ornettology, a project led by guitarist and composer Myles Boisen.  As the name suggests, the group is inspired by the music of Ornette Coleman, and reimagines many of his compositions.   He was joined by a stellar cast of local musicians including Steve Adams and Phillip Greenlief on saxophones, John Haines on drums, Safa Shokrai on bass, and John Finkbeiner.

The band delivered a truly dynamic performance that featured some of Ornette Coleman’s more familiar tunes, including “Ramblin'” and “Mob Job” There were some great solos from each of the members of the group as well.  You can hear some of Philip Greenlief and Myles Boisen soloing in our video.

The last few shows I have played at the Make-Out room always have a great audience – full houses that seem to appreciate having live music, whether they came to hear the specific artists or just happened to drop by.  A few in the latter category seemed to quite enjoy our Manul-Override set, signing Serena’s leg cast (she had an unfortunate accident a couple of weeks before the show) and taking selfies with us.  It was a fun night of music all aroundl.