CatSynth Pic: Nemo and Novation Bass Station

Meet Nemo!  He is showing off an original Novation Bass Station keyboard synthesizer.  Photo submitted by Arthur Schmitt via our Facebook page.

Many readers will be familiar with the popular Bass Station 2.  The original Bass Station was released in the early 90s, first in this keyboard form and later in a more popular rack form.  (It was the 90s, so we still all had collections of 1U-3U rackmount instruments and signal processors).  From Vintage Synth Explorer:

Before the famous Novation Bass Station Rack module came the small and portable Bass Station keyboard! This synthesizer uses digitally synchronized analog oscillators (DCO’s) to reproduce the sounds of a monophonic dual-osc analog synthesizer with simple and intuitive controls via 17 knobs, 10 switches and 2 Moog-style pitch/mod wheels. Think EDP Wasp and ARP Odyssey.

Fun with Highways: #TX07

Primary election season is in full swing.  In a couple weeks, we will be having one here in California (as well as an election for mayor here in SF).  But tomorrow, there is a runoff in Texas’ 7th Congressional District (TX07) in which we at CatSynth are taking a keen interest.  As illustrated in the map, TX07 cuts an odd shape through the western neighborhoods of Houston and the adjacent towns in Harris County.  It is a diverse area and intersects with all three of Houston’s loop highways, which is no small feat.  It includes several wealthy enclaves, but also middle-class neighborhoods, and areas that have been hit by serious flooding during Hurricane Harvey and preceding events.

US 59The southeast “bulge” part of the district includes sections of Houston that lie within the I-610 loop, or “Inner Loop”.  I-610 separates the downtown sections of Houston from outer neighborhoods and surrounding communities, including towns like Southside Place.  It is bisected west-to-east by the new I-69 (US 59).  The area where these two highways intersect would not look out of place in Los Angeles.


[By Socrate76 [CC BY-SA 3.0 or GFDL], from Wikimedia Commons]

Heading north and west, we come to the middle section of the district, which is largely a horizontal rectangle bounded by the mighty I-10 to the north, and which extends almost to Katy in the west.  Beltway 8, also known as the Sam Houston Parkway/Tollway, bisects this segment of the district.  Just to the west of the beltway are the Briarforest neighborhood and the ominously named Energy Corridor.  Not surprisingly, several major energy corporations have operations in this area, as do several other businesses.  The Buffalo Bayou – we at CatSynth are still not entirely sure what separates a bayou from a river – cuts through the district.  It was subject to major flooding during Hurricane Harvey.  In addition to the bayou itself cresting at record levels above flood stage. releases from the Barker Reservoir caused severe flooding in adjacent low-lying neighborhoods.  We have sources that have informed us that the floodwaters in the Energy Corridor area were most unpleasant.

The final section of the district cuts an inverted “L” between State Highway 6 and State Highway 99, the outermost loop around Houston, bounded on top by US 290.  In all, the district has an odd shape indeed, but not so odd when one considers the tradition of gerrymandering, an art which has been taken to new heights by Texas’ Republican-controlled state government.  Its shape has long preserved it as a safe Republican district – it has elected Republicans to Congress consistently since George H.W. Bush in 1966.  But the city and surrounding area have been changing, and it is seen as vulnerable to flip to 2018.

Several Democratic candidates have vied to take on incumbent Republican John Culbertson, including Laura Moser, a progressive candidate who also just happens to be the sister-in-law of CatSynth author and founder Amanda Chaudhary.  As such, we are watching her candidacy with great interest and excitement.  Leading up to the main primary in March, things got a bit nasty, with the DCCC (Demoncratic Congressional Campaign Committee) throwing its weight behind another candidate, more mainstream and connected to the Democratic establishment.  This was an unusual move for a suburban primary election, and some of the opposition was rather mean-spirited.  But that is a long-standing part of elections, and it only served to galvanize support for Moser, who placed second in the crowded field and made to the runoff which happens tomorrow, May 22.  Not having learned their lesson the first time, the DCCC has continued to attack her, including some rather nasty opposition-research-style drops (in some ways, they reminded me of some recent attacks on Jane Kim on our local mayor’s race in SF).  But in this case, it was against family, and therefore personal in addition to being against my political views.  So we at CatSynth are pulling strongly for Laura Moser in Texas’ 7th Congressional District tomorrow, and hope she wins both the runoff and the general election in November.  You can find out more about her history and positions on her website, and if you have any friends in TX07, please encourage them to get out and vote!

CatSynth Pic: Gracie, Moog, PPG Wave, and More

Gracie returns!  This time we see her testing out one of her Moog synthesizers (a Sub37 or Subsequent 37).  We also see a Korg vocoder below, and an Oberheim in the back.  In the background, we see a PPG Wave, a rare DK Synergy below it, and a few other synths that we leave as exercises to the reader.  Gracie always has such an impressive collection 😸

From Alsún Ní Chasaide via Facebook.

Weekend Cat Blogging with Sam Sam: The Blanket (and Volca FM)

Those who follow our Instagram are regularly treated to photos and videos of Sam Sam and her adventures around CatSynth HQ.  For those who don’t, we can assure you that she is doing well and is being spoiled rotten.

Sam Sam getting pet

Sam Sam has made this blanket one of her favorite spots for napping and relaxing.  It is quite warm and soft.  In this video, we see her kneading it and purring up a storm.

Biscuits 😺 #catsofinstagram

A post shared by CatSynth / Amanda C (@catsynth) on


It’s good to be the cat!

Here we see her posing with our Korg Volca FM sytnhesizer.

This photo was taken while preparing for our recent video on the Volca FM, which you can check out on YouTube.  One of the nice things about these small battery-powered synths like the Korg Volcas and the Roland Boutiques is that we play them on the bed.  And if I’m there playing a synth, reading, or napping, Sam Sam is likely to follow.

We hope you have a fun weekend, however you define it.  And if you are Instagram, please do follow us 😻.

 

A Day in Wine Country (2018)

I found myself back again in Napa Valley wine country a couple of weeks ago.  Specifically I was in St. Helena to meet Elsie the Library Cat.  I am not a morning individual, but Elsie apparently is, so at the early hour of 7AM, I headed up from San Francisco, crossing two bridges before exiting the I-80 onto Highway 29.

I have written about traveling through the Napa Valley on Highway 29 before, specifically in a post from 2007.  Once again Highway 29, multiplexed with Highway 12, was a parking lot south of the city of Napa, so I was once again able to snap a photo at almost the same exact location.  It was quite theraputic to do so, chasing away some of the demons of 2007, which themselves chased out the demons of 2000.  The road has been upgraded into a better expressway, and Highway 221 (just a short connector to downtown) is now signed.

Highways 29, 12, and 221 in Napa

The traffic thinned out north of Napa as the road narrowed north of Yountville.  Here the landscape is dotted with modest vinyards and over-the-top mansions and tasting rooms.  Finally, I arrived in St. Helena, my favorite town in the region.  I pulled into the library parking lot around 9AM, just in time for my visit with Elsie.

Elsie is a very sweet cat, and quite playful at times despite her advancing age.  With her black coat, she reminded me a bit of Luna, though Elsie has mismatched-colored eyes compared to Luna’s emerald green.   She and the staff of the St. Helena Public Library were great hosts and extremely welcoming of me and my video project.  If you haven’t already seen our CatSynth TV feature on Elsie, you can watch it here.

It was still relatively early when I finished at the library, so I headed to the main street in town for brunch – a protein-heavy heuvos rancheros and some additional coffee seemed like a good idea after the morning video shoot and before heading out for wine tasting.

My main winery destination was Flora Springs, also in St. Helena.  In 2014, I had come here for both wine tasting and a photo shoot – you can see one of the photos in this old Wordless Wednesday post.  I had selected it because of the modernist architecture and interior design, but I enjoyed the spicy bold reds as well.  Plus they have a patio that is lovely on a warm afternoon.

Patio at Flora Springs Tasting Room

The same qualities that attracted me to this winery four years ago were in play again – the modern style and bold red wines.  I particularly liked the Trilogy red blend and the Holy Smoke single-vinyard cabernet from Oakville.   This visit was also featured on CatSynth TV.

Having enjoyed a full glass of both the Trilogy and Holy Smoke along with tastings of the standards, I decided I shouldn’t do anymore tasting for a while.  But I still wanted to some more exploring.  So instead of heading straight back south, I turned east onto Highway 128 in Rutherford towards Lake Berryessa, with the goal of finally completing the route.  (Yes, I am weird that way.)

The narrow but well maintained highway took us out of the valley and into the hills to the east, winding our way through several canyons.  The central towns of the Napa Valley were largely spared from last fall’s devasting fires, but here along Highway 128 one could still see some of the scars from the Atlas Fire.  The green wooded hillsides were periodically streaked with bands of ashen gray and bare trees.  But even within those bands, one could see bits of green.  Some of these were trees that were spared during the fire, which jumps from one tree to another, as well as new growth replacing the burns.  It’s amazing to see how quickly nature bounces back, especially compared to human development.  It will take a bit longer to replace the homes, wineries and other businesses, and the mental and emotional scars may never heal.

Eventually, the highway aligns to the southern shore of Lake Berryessa, an artificial lake created by damming the Putah Creek.  It’s quite large and major center for water recreation.  I was just there for the visual aspect – I was particularly curious to see the “Glory Hole.”

The Glory Hole, which as also featured in a recent Wordless Wednesday post, is an internal spillway for the reservoir. When the lake gets too full, the water drains out through it like a bathtub.  This happened in 2017, and must have been amazing to see.

We followed the highway down from hills into the Sacramento Valley, where it ends in the town of Winters.  I had stopped here on the way to Portland a few weeks earlier, so had already shot some video.  But that one is still a work in progress…

 

See more of California’s Napa Valley Wine Country and many other fascinating places in our Highway☆ app, available on the Apple App Store and Google Play Store. 

Highway☆ on Apple App Store    Highway☆ for Android

CatSynth Pic: Cats, KingKorg, and White Wine

Cats, KingKorg and White Wine

Two fluffy cats posing with a Korg KorgKorg synthesizer and a box of white wine (crisp and refreshing).

By Sayer Seely in the Facebook group Synthesizer Freaks

Just arrived… and cat approved… KingKorg!
Came up for sale locally at a great price. Just got the Novation Peak on Friday and now this. The wine in the box matches the color of the KingKorg! 

I can’t resist including a link to one of my performances of my composition White Wine 😸

Voltage and Verse: Ruth Weiss/Doug Lynner/Hal Davis, Pitta of the Mind, Ramon Sender at Adobe Books

It’s been a busy season for Pitta of the Mind!  We had three shows in the span of two months, beginning with our blue set at Pro Arts and culminating with ¡Voltage and Verse! at Adobe Books in San Francisco.  You can get a taste for the show in our CatSynth TV video.

It was an honor to once again share a bill with ruth weiss.  A Holocaust survivor and founding member of the San Francisco beat poet scene in the 1950s, she is still going strong, performing and supporting local institutions and artists.

Maw Shein Win, ruth weiss, Amanda Chaudhary

We were glad to see that she is continuing her collaboration with our friend and synthesizer virtuoso Doug Lynner.  Together with log percussionist Hal Davis, they performed a set of poetry and music that simultaneously evoked earlier eras and the latest electronic experiments.  Davis’ log drum provided an expressive metronome, undulating between a trot and a gallop.  Lynner’s synthesizer lines filled in the spaces, sometimes with rhythmic appeggios and at other moments with long eerie drones.  The synthesizer timbres and phrases complemented the words in multiple ways, sometimes underpinning the narrative in the manner of a good film score, at other times emphasizing the rhythm of the words and making them into a musical whole.

ruth weiss and Doug Lynner

Our Pitta of the Mind set was part of a month-long celebration for the release of Maw Shein Win’s new book of poetry Invisible Gifts.  The book is divided into four sections based on different colors.  This works perfectly for our use of color themes in our performances.  For this night, we chose silver and performed selections from the silver section of the book.  There were some familiar poems that we have performed before, and some that were new to me.  There were a variety of styles and subjects in the words that inspired different musical backings, from jazzy electric piano (my favorite) to abstract synthesizer explorations.  I was able to reuse some of the modular patches I had developed for my recent show in Portland and make them work with the rhythm of the texts.

Pitta of the Mind

Maw and I have performed together so many times now that it has become almost second nature to realize a new set; our three shows this season went off (nearly) flawlessly, and have been among the best we have done in our nearly seven years of collaboration!  We have developed a toolset and pallete of instruments (including the Nord Stage and Prophet 12) and sounds that we can quickly turn to with each new text, which makes the process of learning new pieces both simple and fun.  I certainly hope we can keep up the momentum in the remainder of the year, even as I turn my own attention to other musical projects.

In between our set and weiss/Lynner/Davis, we were treated to a presentation by Ramon Sender.  Sender was a co-founder (along Morton Subotnick and Pauline Oliveros) of the San Francisco Tape Music Center in the early 1960s, but on this evening he regaled us with stories of his time at the Morning Star and Wheeler ranches in Sonoma County in the late 1960s and early 1970s.  Morningstar, founded by Lou Gottlieb, was a radical experiment in communal living, populated by an interesting cast of characters along with folks who “commuted” between San Francisco’s Haight-Ashbury district and the ranch west of Sebastopol.  It only existed in its communal form for a short period of time before being shut down by Sonoma County. Sender and others then moved to the nearby property of artist Bill Wheeler, who followed Gottlieb’s lead and opened his ranch as a commune open to all.  I found myself fascinated by Sender’s stories, and would love to learn more about the history of the area and these communal experiments.

It was a fun night of music and words that lived up to its billing, and I certainly hope to have a chance to perform with everyone again.  And thanks to Benjamin Tinker and Adobe Books for hosting the event!  Please support your local bookstores and performance spaces.

[Photos not marked “catsynth.com” in this article courtesy of Maw Shein Win.]

Forced Togetherness Fridays: Open Floor Plans and Sexism


[By Mozilla in Europe (Flickr: London Workspace) [CC BY 2.0], via Wikimedia Commons]

Open floor plans are de rigeur in the high-tech industry, but they have also become trendy of late in other industries as well.  The are loved by some, hated by others. On a purely aesthetic level, I quite like open-floor-plan spaces.  After all, CatSynth HQ is a two-level open-plan space.  When they are modern, with lots of light, air, glass and metal, they can be quite beautiful and inviting.  The example from Mozilla’s UK office that opens this article is one such example.  On the other hand, some can just be boring and utilitarian, as if someone just took an old office space and knocked out some walls.


[By Benn (https://www.flickr.com/photos/benn/196447297/) [CC BY-SA 2.0], via Wikimedia Commons]

Aesthetics aside, the problems with open plans aren’t the spaces themselves.  It’s what happens when you put a lot of people in them.  For some, a busilling hive of activity with constant access to other people can be a boon, but for many is a source of intense anxiety and can feel even more confining than a small private office.

The problems of open office spaces can be especially challenging for women.  As reported in this article in Fast Co Design, the open design combined with everyday sexism can exacerbate the difficulties or challenges that women face in the workplace:

Fascinatingly, the study did not start out as an examination of gender specifically–it was meant as an examination of how workplace culture shifts when office design changes radically. It was only when Hirst, who conducted interviews on-site and spent a lot of time observing the workplace, began to feel pressure to dress in a more feminine way herself that she began to wonder about it. “She was surprised by the unusual amount of care she took over her own appearance, a degree of self-consciousness that she found burdensome as time progressed,” the researchers write. “To ‘fit in’ with the modern, clean aesthetic of the building itself and a dress code that was widely adopted, she departed from her usual preference for wearing jeans and no makeup; adopting a smart trouser suit and putting on makeup.”

Many of the examples in the main article as well as a follow-up featuring stories from readers focus on the extra pressure women feel about their appearances in these environments.  Interestingly, my own experience is somewhat different, but retains the overall sense of pressure.  I usually dress up and always wear makeup for the office, because I enjoy it and it makes me feel good.  But I do feel very self conscious in the open spaces in different ways.  First, I am worried about how mistakes or faux pas may be visible.  And in the world of high-tech, the almost religious embrace of casualness and the way many men, even in leadership, treat their slovenly appearance as a badge of strength or honor, can add subtle pressure.  As a woman, does one fit in, trying to be “one of the guys”, or be oneself and stand out in the sea of casualness?  I could write an entire article just about attire and dress codes – and I will – but there are other forms of sexism at work in open spaces as well.

The biggest problem that I have observed is the lack of privacy, even the privacy to conduct one’s own work efficiently, or conducting those aspects of personal life such as doctors’ appointments or things with family and children, that one has an expectation, even a right, to do from the office. Some companies, including ones where I work, sometimes set aside small spaces, either completely or just slightly enclosed, but it may not be enough, as one reader, Jean A., related:

The open office layouts I’ve sat in have both had ‘privacy’ rooms available, though these tend to be used as one-on-one meeting places almost as frequently as they are used as rooms in which individuals can call someone or even just take a brief rest. One thing in particular that I have noticed is that I like to be able to schedule doctor’s visits (for myself and my mother, whom I care for) while viewing my work calendar so that I can try and avoid missing meetings, but there is really no way to effectively do that privately in an open office floor plan. I have to drag my laptop into the privacy room, hope that the wireless works in that room (which it only rarely does)…

Another reader describes how the lack of privacy in open spaces can exacerbate workplace bullying, as described by reader Elizabeth G:

“The open plan office was in a college and not only was it very exposing as the managers were in a mezzanine level and looked down on us but the desks were butted up against each other and in rows. There was absolutely no privacy, and judgments about folks were made that amounted to a kind of covert bullying. Any absences from the room were noted and commented on. There were two small meeting rooms but they required booking. There was no room to spread documents out if you needed to and anyone could see what was on your screen. Most of us adopted a kind of blindness/deafness to our neighbors. It was also noisy at times, which impacted our concentration or ability to conduct telephone calls. I stuck it out for a year but was relieved to leave.

I have myself experience the stress and drain that comes with the lack of privacy in open spaces, the constant feeling of being watched.  I have also had to deal with novel types of bullying that are rarer in closed spaces.  On several occasions at multiple companies, I found myself chatting with a colleague about a technical matter related to a task at hand, only to have a male colleage come charging over and offer his unsolicited opinion – the ubiquitous and annoying phenomenon of mansplaining.  Sometimes he would be wrong because of missing context, but this did not stop a confident and overbearing manner, which crosses the line into bullying.  One particular egregious example involved my explaining an iOS-specific design requirement to a colleague working deliving a graphic, when suddenly a business-focused male coworker came over and erroneously explained why I was wrong – on top of this, he didn’t even address me directly, just my male colleague at the neighboring desk.  Similarly, some workplace bullies (invariably male in my experience) will use the open space to verbally corner or humiliate a co-worker, something that is unpleasant even behind closed doors, but far worse when it is in view of the entire company.

Then there is the simple problem of constant distraction.  As someone who is trained to use her ears critically, it is difficult to not be distracted by constant conversations happening in an open space, some of which can even be amplified by the acoustic properties of the space.  It is possible to filter them out metally, but this takes a lot of energy that is then drawn away from actually getting work done.  Many companies, including the one I described in last week’s article, have taken to offering noise-cancelling headphones to workers.  While it does cut down on noise distraction, these is merely a band-aid on the problem, and a band-aid that can itself lead to other problems like ear fatigue.

These and other issues, not surprisingly, can lead to increased anxiety.  And while men and women both face anxiety in the workplace, women face the additional challenge of being scrutinized for any display of emotion or “losing one’s cool.”  Open floor planes often leave very little place to work out anxiety, take an emotional break, or simply hide when necessary.  There is the bathroom, and there is going outside.  I use both strategies, including going for long walks away from the office – something that itself can be scrutinized in places that prize forced togetherness.  Readers in the follow-up article also releated similar stories, and in this quote from Emily S:

“I was one of three women at the company. I struggle with anxiety, and the cramped, nowhere-to-hide office layout made matters worse. When I felt an anxiety attack coming on, I would walk a block to a hotel around the corner and hide out in their basement bathroom until things subsided.

“It wasn’t until after a few months of working there that I mentioned this to my other female coworkers and found that they, too, had ‘hiding spots.’ One had a sibling who lived nearby and would go to his apartment, another would go to a department store a few blocks away.

“When I left the company, I made a note in my exit interview that the office setup exacerbated my anxiety and suggested that more consideration be given to employee mental health. I’m not sure if anything changed, but I do know that in my current office–still an open floor plan, but much larger–where there are places to escape to (like sofas, or a phone booth), I’m much happier.”

Of course none of these issues are unique to open floor plans, and many aren’t caused by them.  Sexism and bullying is rampant in a great many environments including the virtual world.  But an open work place where one feels trapped in the gaze of others can make it far worse.  Like Emily in the last quote, I look to companies that offer a variety of heterogenous spaces, some private, as well as opportunities to be remote from co-workers.  And I appreciate companies that put a priority on their workers’ mental health and well being as part of their operations.  It remains to be seen how that plays out in particular in the “forced-togetherness-as-virtue” tech industry, and whether some firms move away from open plans towards more variety of spaces.